Meet the Power Screamer, the most unique sound to ever come from a distortion pedal. The smooth overdrive tone coming from the JRC4558 IC can be pushed into deliciously compressed distortion with almost a reverse attack effect if desired. At the heart of the Power Screamer is the 3-way diode switch, the key to colouring the tone of this unit. True bypass? What do you think…this is no toy…not for the squeamish. Available in Tweed and Standard finishes!  Currently on the pedal board of one Carlos Santana!

Tweed: £149

HBE Dos Mos. Dual Mosfet Pre-Amp with two independent outputs. Capable of up to 25db gain per channel. Switchable to run as a single channel pre-amp with and adjustable boost. Uno channel may also be used as a buffer. Great clean boost or capable of driving any amp into saturation.

Experience the sound recorded by many guitar legends. The HBE Germania is a recreation of the highly sought after Dallas Rangemaster Treble Booster. Features an NOS Germanium Transistor and switchable Lo-Fi / Hi-Fi modes. Lo-Fi mode: original Rangemaster sound, tough and aggressive. Hi-Fi mode: brighter, more transparent with less mid emphasis.

Germania 44 / Treble Booster

The Germania 44 is identical to the Germania except that it is built using the highly regarded and sort after European OC44 germanium transistor. Features switchable Lo-Fi / Hi-Fi modes. Lo-Fi mode: original Rangemaster sound, tough and aggressive. Hi-Fi mode: brighter, more transparent with less mid emphasis.

Modelled after a vintage compressor circuit, the HBE CPR is an effect you may want to leave on all the time. The CPR is extremely transparent and quiet and it can be used on any instrument to obtain the singing sustain without the hiss, noise and annoyances associated with other compression pedals.

Extremely versatile overdrive and distortion pedal capable of achieving many different sounds ranging from a light bluesy overdrive to modified hi-gain tube amp distortion. Features a 5-way diode select, selectable hard / soft clip mode, 'Bigger' foot switch for adding gain with independent control, extremely high input impedance, low noise.

Vintage styled Wah with modern features:

True-Bypass, Heavy Duty Sealed Pot, Battery or DC Power Supply Operation, Battery Access Door, Internal Board Mount Trim-Pots for user adjustments of gain and sweep range, No Slip Grip Tape Foot Control, Fasel Yellow (vintage) inductor.
Can be ordered with Fasel Red (modern) inductor.

HBE THC “Three Hound Chorus” is a warm, rich all analogue Chorus with True bypass switching. Features Depth and Speed controls plus the unique Width control which physically changes the distance (or width) between wave forms adding a whole new dimension to the Chorus effect:

The Mimic is an all analogue (Bucket Brigade based) delay. Features adjustable Time, Level and Repeat controls. The maximum delay time can be pre-set with a user adjustable trim pot on the circuit board.  This sounds fantastic, a really warm and classic delay sound that oozes analogue vibe.  One of the best delays we've ever heard!

Pedal Specs:
Knobs: Volume, Gain
Features: DC Power Jack, True Bypass, LED
Size: 3 1/2" Wide, 4 1/2" Long, 1 5/16" Tall

The Batch O Ass is one of the high gain pedals Greer produce, this pedal can do anything from mean, aggressive distortion to beautiful tube overdrive type sounds as well as a rather substantial clean boost. This pedal plays well with both humbuckers and single coils. The circuitry in this pedal provides two successive gain stages that are voiced to allow the subtle nuances of players' styles to shine. As with all Nick Greer pedals, it is true bypass and is sensitive to your playing style and pick attack.

Pedal Specs:
Knobs: Volume
Features: DC Power Jack, True Bypass, LED
Size: 2 1/4" Wide, 4 5/16" Long, 1 1/4" Tall

The Black Fuzz is a very simple, elegant pedal with more of a complex sound than most think. This pedal has a single control that adjusts only the volume of the output signal. The guitarist is able to control the gain from the guitar by lowering the volume control on the guitar. The Black Fuzz is one of the most pick sensitive pedals we build, even with the guitar's volume control at full volume, a beautiful clean sound can be had by simply picking softly. This pedal has been compared to classic sounds from the seventies, with thick, lucious distortion and a slight bit of a fuzz sound, envision a Black Face style amp being pushed hard with a bit of fuzz added on top.

Pedal Specs:
Knobs: Volume, Grit
Features: DC Power Jack, True Bypass, LED
Size: 2 1/4" Wide, 4 5/16" Long, 1 1/4" Tall

Like the namesake's explosive characteristics, this pedal comes out of the box ready to go off! A two knob single circuit design allows for a beautiful, textured boost mixed with a slight 60's distortion sound that works wonderfully with tube amps. This pedal is designed with the player that has his/her amplifier on the edge of breaking up. The volume knob of course controls the volume of the boost. The grit (c/fuzz on some earlier models) knob controls the amount of "hair" that is added. The grit knob is most useful when the player has the amp set on the verge of breakup and becomes more flexible the more the amp is driven, at low levels the grit knob is not so noticeable in effect. This pedal is truly loud, proud, and is not afraid of being mean!

Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde’s guitar playing is loud, tough, and relentless. Zakk’s take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further than Dunlop. The result is the new Wylde Overdrive. This muscular stompbox will turn your clean amp into a heavy, chunky crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. The three simple controls—Output, Tone, and Drive—make getting up and running easy, so you can concentrate on the business at hand: kicking major ass.

In the middle ranges of the Output and Distortion controls, you'll find soft-clipped distortion tones that sound truly retro-authentic, especially when they're mixed with a splash of reverb. Pushing Distortion up higher produces classic fuzz tones that are finding their way onto an increasing number of albums. A welcome, enjoyable alternative to LA saturation and British crunch.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between.

Dunlop has once again partnered with living legend Edward Van Halen to present a new spin on a classic tone. Everyone knows that it was the MXR Flanger that powered the timeless Van Halen tunes "Unchained" and "And the Cradle Will Rock." Now you can grab a piece of that world-class tone with the new MXR EVH 117 Flanger. This amazing stompbox features the same bucket-brigade technology that provided the sweeping, whooshing magic of the original. But we didn't stop there. We've also added the EVH Switch, which instantly calls up Eddie's "Unchained" sound with the exact same Manual, Speed, Width, and Regeneration settings that he used to get one of the greatest guitar tones of all time. If that's not cool enough, we painted the EVH Flanger with the rocking striped graphics that started a revolution. Get the MXR EVH 117 Flanger and hit the ground running.

• EVH Switch activates preset Manual, Speed, Width, and Regeneration settings for instant "Unchained" tone

* Original bucket brigade design for classic analog flanging

* Indestructible die-cast housing in EVH-approved striped graphics

Often imitated but never duplicated, the elusive vintage “script” Phase 90 is at the top of the list for pedal collector's world-wide. The original version—available from the company's inception to the late 70's—practically defined the classic phase shifter sound, and was heard on everything from hard rock, jazz-fusion, to funk hits. The new MXR Custom Shop Script Phase 90 brings back the headroom and clarity of the original, along with its ultra warm and smooth phasing and reduced midrange swell. And it comes dressed in the original smooth orange paint job and script logo, with or without an LED direct from the MXR Custom Shop. CSP-101S CSP-101SL (with LED) • Original circuit design for smooth and lush 4-stage phasing • Same indestructible die-cast housing • Original smooth orange finish and script logo
 

G-System is the world’s first complete high quality floor based Guitar System. Delivering a complete and uncompromised package of effects, control and integration, no other product will match the flexibility or the quality of the G-System.

With its unique combination of two DSP sections providing the very highest quality effects on the market, analog loops, amp switching, floor control, and even 9VDC power outputs for your pedals, the G-System offers the highest level of integration attainable.

Nova System is the complete, floor-based effects solution for the dedicated guitar player who knows quality when he sees it. Its unique inclusion of an all-analog programmable distortion/overdrive section under preset and expression control makes it the perfect choice whether you want to trim down your rack setup, step up from your pedal patchwork or simply just want the ultimate combination of operational simplicity and audio superiority.

Add to this an array of effects taken straight from the king of floor-based processors; G-System and you have top-notch compression, EQ, noise gate, modulation, pitch, delay and reverb right at your feet. All you need is a guitar and an amp and you’re good to go – first class.

What makes Nova System so remarkably different is the NDT™ - Nova Drive Technology - a unique, new drive and distortion circuit that gets you the best of both worlds: World-class analog distortion and overdrive with digital control. This is the real deal – no modeling. While the NDT™ is 100 percent analog and physically separated from the digital effects, its control potmeters are digital. This way you can tweak, store and recall as many drive settings as you want - you can even hook up an expression pedal and control the amount of distortion in real-time. Its wide gain range covers your every need from light breakup to heavy distortion.

Equipped with TC branded quality effects from delays and reverbs to compressor, EQ and modulation, Nova System is the obvious all-in-one solution for any guitarist who wants setup simplicity without sacrificing tonal fidelity. All neatly programmable and storable in 60 user presets. Its 30 factory presets give you a demonstration of just what this unit provides; great sound quality and an immense versatility of effects combinations – all designed to get you started right out of the box.

With G-Natural you no longer have to put your guitar sound in the hands of the sound engineer or to put up with effects designed for electric guitars to boost your performance. It goes without saying that effects for electric instruments do not take the construction of a hollow body acoustic guitar into account.

G-Natural houses a suite of high quality effects fine-tuned for acoustic guitar. It’s all you will ever need to cut through to your audience: Compression, EQ, Boost, Modulation (Chorus, Detune, Thicken, Flange, Panner, etc.), Reverb and Delay.

With both a built-in mic preamp and standard instrument inputs you can choose between using a piezo or pickup system or miking your guitar with a condenser mic. Or why not do both and mix the signals inside G-Natural to get the best of both worlds?

G-Natural comes with 30 factory settings optimized for a wide variety of musical genres and playing techniques. The 30 usercustomizable presets allow you to add that crucial personal touch to your sound.

G-Natural’s mic pre can also be used for vocal performance. Just put G-Natural in song mode and you automatically get a separate vocal strip EQ and compressor block.

Topping an already packed feature list, a built-in tuner, digital I/O, expression pedal input and MIDI make G-Natural the number one multi-effects solution for the serious acoustic guitar player – all you need is a fresh set of strings, a load of killer tunes and you’re good to go.

Never before have all of TC's acclaimed modulation effects been packed into a single stompbox. With seven stellar effects including the brand new tri-chorus and through-zero-flanger, Nova Modulator gives you all the modulation effects you’ll ever need – and then some.

This is an effects pedal for the guitarist who has come to terms with the basics of guitar effects and is now on the lookout for icing on the cake. With its dual engine design Nova Modulator allows you to combine chorus, flanger, phaser, tremolo and vibrato effects, sync the tempo between them and even trigger the LFO to start right on the beat.

Nova Modulator gives you unlimited sound shaping possibilities and with nine presets there's plenty of room to store your favorite settings.

High quality dual engine compression and noise gate made stompbox simple.

Packed with never before seen functionalities Nova Dynamics sets new standards to floor-based dynamics control.
Its dual engine design offers a variety of setup and control options that allow you to tailor Nova Dynamics to fit your rig. Use the two engines for different compression settings or switch between stomp compression for that classic "squash" and TC's advanced multiband compression for subtle, studio-style dynamics control. You can even split the two engines in Nova Dynamics and have a compressor in front of your amp and noise gate in your amp effects loop for true noise reduction of high gain signals.

The Dry Blend feature lets you blend your dry signal in with the compressed signal for optimized attack with no eating into the dynamics while the automatic input gain adjustment on both engines brings perfect settings for e.g. both a Strat and a Les Paul at the flick of a switch.

With 6 different stereo delay types and the option to store up to 9 presets customizable by an array of style parameters ranging from vintage tape to digital delay this pedal easily serves all delay requirements of modern guitar players who wanna create unique sounds.

Built upon the legacy and knowledge of TC’s world-renowned TC 2290 Dynamic Digital Delay the ND-1 Nova Delay raises the bar for guitar effect pedals and redefines what it means to be "state-of-the-art". ND-1 Nova Delay offers uncompromised studio quality digital effects in a compact floor-based design.

The ND-1 Nova Delay pedal features 6 different delay types:
• Delay line
• Dynamic
• Reverse
• Ping-pong
• Pan
• Slap-back

Each of these types can be modified with a delay style - a unique feature of ND-1 Nova Delay that allows you to mix and match your delay type and style infinitely.

Both single delay and dual delay lines can be applied to any type and style using the tap tempo switch or delay time knob to determine the delay time that ranges from 1 to 2290 ms.

Three different types of modulation (light, medium and heavy) can be applied to any of the delay types – a feature originating from the legendary TC 2290 Dynamic Digital Delay processor.

The all-new Audio Tapping™ technology enables you to set the tempo of the delay by playing a rhythm into the pedal while holding down the tap tempo switch. You can now set the tempo of the delay using your most important asset: Your playing.

Other great ND-1 Nova Delay features include the ability to choose between ms (milliseconds) and bpm (beats per minute) readout, decide if you want spillover on individual settings and turn global tempo – where tap tempo determines delay time on user presets - on and off.

ND-1 Nova Delay Features:
• 6 studio quality digital delay types
• Two switchable settings:
» manual and preset
• 9 user programmable presets
• Up to 2290 ms delay time
• Audio Tapping™ - audio-generated tap tempo
• Modulated delay
• Delay spillover

The NR-1 Nova Reverb is a voucher for the undisputed tonal quality only known from TC products. This pedal offers you 5 different stereo reverb types - room, spring, hall, plate and specials – ranging from the warm vintage sounding Classic Spring to the pristine and stunningly realistic TC Classic Hall. Reverb just doesn’t come any better than this.

Built upon the legacy and knowledge of TC’s legendary reverb processors the release of the NR-1 Nova Reverb raises the bar for guitar effect pedals and redefines what it means to be “state-of-the-art”. The NR-1 Nova Reverb offers uncompromised studio quality digital effects in a compact floor-based design.

NR-1 Nova Reverb is a stereo reverb pedal with two settings selectable via the two footswitches: Manual, which represents the current position of the knobs and Preset, which is a stored sound that can be recalled at any time.

NR-1 Nova Reverb also has a unique new feature called DynaMix™. DynaMix™ acts as a dynamic ducking effect that turns down the reverb while you’re playing and turns it back up again when you’re not playing. This prevents the sound from getting muddy – especially when using large hall reverb types – but will still give you that huge live venue effect while the notes decay. The DynaMix™ effect can also be reversed, so the reverb is turned up while playing and gated when the input signal falls below a certain level, producing a truly unique and out-of-this-world effect.

NR-1 Nova Reverb Features:
• 5 studio quality digital stereo reverb types
• Two switchable settings: manual and preset
• DynaMix™ - dynamic ducking reverb

For more than 25 years the TC SCF (Stereo Chorus + Pitch Modulator & Flanger) pedal has been the favorite choice of professional musicians. Though originally intended for use with guitars, many keyboard-players have adapted the SCF in their setup – especially to give the extra “touch” on Rhodes electric pianos. Technically way ahead of its time, with the incredible dynamic range and lack of noise, the SCF is still in this new millennium a top selling product and a “must have” for many.

The VPD1 vintage pre-drive pedal is a lot more than just an overdrive. With the additional boost section, top and mid boost, remote control, and a vintage-type speaker simulation, VPD1 is a genuinely versatile guitar pedal. Our scientists designed the VPD1 to reproduce warm driven vintage tones that you would normally only get from a tube amp with the master volume turned all the way up.

Simplicity, great sound, and timeless design make up the holy trinity of the VPD1 vintage pre-drive pedal. This pedal is all about bringing out the best in your favorite guitar/amp setup without any unwanted coloring of tone or quality-compromising add-ons. VPD1 would therefore serve as an excellent companion for the G-System from TC Electronic. The basic drive section delivers a distinguished vintage overdrive allowing every characteristic of your instrument to shine through. When you kick in the boost section, you get a saturated lead sound with plenty of gain and sustain. Additional features on the boost section are the Top and Mid boost emphasis filters that let your tone really cut through.

VPD1 features a unique circuit, which accurately replicates every group of components in an original vintage tube amp combo, including the dynamic interaction that occurs between the components. In addition to the drive functionality, VPD1 actually serves as a small preamp, ranging sonically from barely audible overdrive to snarling leads - and beyond.

In the VPD1 signal path, the boost section is placed before the drive, which means that the boosted guitar signal not only sounds louder but also sounds more overdriven. This makes it ideal for switching from rhythm to lead guitar. The remote function even allows you to switch the VPD1 boost on and off with the new G-System from TC Electronic, or any other external relay switching device. For your convenience, we’ve also included top and mid boost switches for a more flexible sonic exploitation of the VPD1.

The VPD1 sports an integrated speaker filter that makes it very useful for studio sessions and home practice. The speaker filter, which can be bypassed at a flick of a switch, is based on the same research as the VPD1 Drive, and underlines the vintage qualities of the new TC pedal.

The pedal that started it all The distortion countless musicians such a